The fabric is used as the constraining system and the piece I made is a 2m high set of columns
An aim of the experiment was to use a minimum of materials which doesn't explicity add formal or surface qualities to the concrete structure.
[Yours truly, Anne-Mette Manelius proudly posing with the bastard formwork after the pour. Photo: Mette Madsen/Pihl]
[Yours truly working at stripping the formwork - everything didn't go all easy-peasy. Photo: Signe Ulfeldt]
[My lovely assistant, Signe and I with the piece - a very little fellow next to the student works - but he's mine]
One of my favorites among the student works is this lovely piece - the students call it Wall de Mort - haha.